For all the hype though, this set fails to get close to the plugged-in bite that was part and parcel of their strength and appeal. Released after his suicide in 1994, it was inevitable that the album was greeted with the kind of fervour that in days gone by might have been accorded to the relics of a martyred Saint. If In Utero is a suicide note, MTV Unplugged in New York is a message from beyond the grave, a summation of Kurt Cobains talents and pain so. Had Cobain lived this set would be viewed as a mildly entertaining but probably flawed diversion from the real action. SCOTT LITT, Producer - Kurt Cobain, ComposerLyricist - Nirvana, Producer, MainArtist 1994 UMG Recordings, Inc. It’s interesting that they seem to audibly relax and stretch a little when playing other people’s songs–notably on the Meat Puppets’ lamentation “Oh Me” and The Vaselines’ “Jesus Doesn’t Want Me For A Sunbeam.” As with most of the grunge movement their material is so intrinsically linked to the juice that without it, this stuff has a slightly hollow ring to it. Track List 'About a Girl' 'Come as You Are' 'Jesus Doesnt Want Me for a Sunbeam' 'The Man Who Sold the World' (David Bowie) 'Pennyroyal Tea' 'Dumb' 'Polly' 'On a Plain' 'Something in the Way' 'Plateau' (Curt Kirkwood) 'Oh, Me' (Kirkwood) 'Lake of Fire. With more cutting-edge than a sawmill working double shifts, Nirvana’s clout was always located in their sound as much as the songs themselves, whose essence was utterly defined by their reliance on electricity.
Nirvana mtv unplugged dumb series#
Only “Something In The Way” with added cello gravitas seems to be comfortable in its new arrangement. MTV Unplugged in New York is a live album by American rock band Nirvana, released on November 1, 1994, by DGC Records.It features an acoustic performance recorded at Sony Music Studios in New York City on November 18, 1993, for the television series MTV Unplugged. What do we learn from the gentle stroll-through renditions of “Come As You Are” or “About A Girl” that wasn’t said more successfully on the originals? The muted expression in these campfire run-throughs, as though the band are sensitive about having their playing exposed to the kind of scrutiny the Unplugged format invites, makes them tentative and tepid compared to their fiery forebears. Neil Young’s Unplugged and his version of “Like A Hurricane” immediately springs to mind. When it works best it tells us something new about both the singer and the song. Appealing to our sense of romantic nostalgia for a time when music making was about connecting flesh and bone to wood and wire rather than the mains socket, Unplugged has seen many occasions when rock songs stripped of all their sonic frills and amplified heat become reinvented and revelatory.